Published June 30, 2013
The glow of the silver screen is set to illuminate Durban in KwaZulu-Natal with more than 250 screenings in 11 venues across the city, July 18-28, 2013.
Alongside this smorgasbord of what’s arguably the best of contemporary cinema–comprising 72 feature films, 48 documentaries and 45 short films–the annual Durban International Film Festival (DIFF) that returns for the 34th year to celebrate the beauty and diversity of global cinema, offers a comprehensive workshop and seminar programme that facilitates the sharing of knowledge and skills by film industry experts.
This year’s opening film is the ground-breaking African-noir work Of Good Report by Jahmil XT Qubeka. Telling the story of a serial killer obsessed with beautiful girls, the film expands the language of African cinema. The festival’s closing film acknowledges Angela Davis, an important figure in the African diaspora, with the film, Free Angela – and all political prisoners, directed by Shola Lynch.
High-profile South African films being showcased include Layla Fourie: The Forgotten Kingdom which is set in Lesotho; Felix, about a young township boy intent on following his dreams of being a musician; and The Good Man, an intriguing look at a globalised reality.
This year’s programme showcases the multiple perspectives that define the cultural landscape of contemporary Europe and the diverse ways in which the continent’s narratives are rendered. Audiences can expect some superb European films, including Sally Potter’s Ginger and Rosa, Michael Winterbottom’s The Look of Love and Bernardo Bertolucci’s Me and You, his first film in more than a decade.
There is a strong showcase of American independent films at this year’s DIFF including Wrong the latest film from Quentin Dupieux who gave us the DIFF cult-hit Rubber in 2011 and Spring Breakers from Harmony Korine. Francine tells the small and delicately drawn story of a socially inept woman who has just come of out prison, while The Place Beyond the Pines is the highly anticipated new drama from director Derek Cianfrance who gave us Blue Valentine.
With literally hundreds of Zombie films currently scheduled for release around the world, DIFF 2013 showcases a selection of films from the current Zombie wave. Headlining this mini-focus area is the long-awaited remake of the Evil Dead which conforms in many ways to the classic zombie genre.
A host of award-winning films from around the world will screen at DIFF 2013, including works from some of contemporary cinema’s most luminous talents. From Chinese director Wong Kar Wai comes The Grandmaster, which opened Berlin in 2013, while Canadian director David Cronenberg descends once more into the darkness with Cosmopolis based on the Don deLillo novel. Takeshi Kitano, the king of stylised violence, delivers Outrage Beyond, while the enigmatic Closed Curtain comes from banned Iranian filmmaker Jafar Panahi. Deepa Mehta gives us a gorgeously sprawling rendition of Salman Rushdie’s Midnight’s Children while Danish director Thomas Vinterberg’s The Hunt will chill you to the bone. Then there’s the exciting news that Ashgar Farhadi, whose A Separation won both the best Foreign Picture Oscar this year as well as best film at DIFF 2012, returns with his latest film The Past.
There is a wealth of documentaries to satisfy a spectrum of tastes and interests at this year’s festival. And of course, there’s a strong selection from South Africa, where the documentary form is growing in stature and volume.
Riaan Hendrick’s The Devil’s Lair transports us deep into a claustrophobic drug den on the Cape Flats, while celebrated local documentary-maker Damon Foster gives us a window into the life of a very special crocodile with Touching The Dragon. Angels in Exile is a moving documentary about two proud yet impoverished children who live on the streets of Durban and The Creators pays tribute to the creative power of South Africa’s youth, including acclaimed graffiti artist Faith 47. From further afield African Metropolis is a collection of short slices of reality from around the continent. The Spirit of 45, from British feature director Ken Loach looks at the enduring influence of the labour movement during the war years while More Than Honey tells of the importance of maintaining the earth’s bee population and Algorithms presents the riveting story of blind chess players in India.
For the 9th year, DIFF partners with Wavescape to present a feast of surfing cinema, including 11 features and five shorts. Wavescape opens with a free outdoor screening at the Bay of Plenty Lawns on July 21.
For the first time this year, DIFF presents a repertory section in which film fans and filmmakers have the opportunity to access a slice of film history. In ‘The Films That Made Me’, South African director Jahmil XT Qubeka presents five films that have been influential in his growth as a filmmaker.
The 6th Talent Campus Durban will bring together the creativity of 50 selected filmmakers from 18 countries in Africa, chosen from more than 450 submissions, who will take part in a series of masterclasses, workshops and industry networking opportunities during the festival.
Now in its 4th year, the Durban FilmMart, a partnership project between DIFF and the Durban Film Office, is a film finance and co-production market presented in three strands – Finance Forum, Master Classes and the Africa in Focus seminars. The DFM master class and networking programme is open to registered delegates only.
DIFF is pleased to announce that a strategic partnership has been formed with Durban Wild Talk Africa, the continent’s most respected natural history film festival and conference, which takes place July 23-26. A selection of nine natural history films have been chosen from 445 entries from across the globe, to be screened at the festival. Registration for the Wild Talk conference is available at wildtalkafrica.com/register.
The festival hub is at the Blue Waters Hotel, with principal screening venues at Suncoast Cinecentre, Ster Kinekor Musgrave, Cinema Nouveau Gateway, Elizabeth Sneddon Theatre and Ekhaya Multi-Arts Centre in KwaMashu. Programme booklets with the full screening schedule and synopses of all the films and ticket prices will be available free at cinemas, and other outlets. For full festival details see durbanfilmfest.co.za